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Downhill

Downhill while American remakes of successful foreign films (European, Latin American, Asian, whatever) Downhill is a very common practice in Hollywood, there are few such cases as DOWNHILL. What is unique about this movie? It is a version of the successful Swedish film FORCE MAJEURE, by Ruben Ă–stlund. And its peculiarity is that it escapes from the serious drama of the original film (see review here) to become something that, at least in principle, is more like a comedy.

And that impression increases depending on the protagonists: Will Ferrell and Julia Louis-Dreyfuss, two actors specializing in the genre. If to that we add that the directors and co-writers come from working on comedies (they are the scriptwriters of LOS DESCENDIENTES, by Alexander Payne, and the directors of UN CAMINO HACIA MI, two films with dramatic components, but comedies nonetheless) It gives all the impression that we are facing a project at least curious.

And that’s what DOWNHILL looks like at first, and also in many other loose moments throughout his curiously short footage. We are – or we seem to be – before Ferrell and Dreyfuss doing a kind of parodic version of that powerful Swedish drama in which a family begins to disintegrate when, in the middle of a dangerous avalanche of snow that takes place in the viewpoint of a hotel restaurant alpine where they spend their vacations, the father decides to run away and abandon his wife and two sons there.

Duration: 86 min

Release:

IMDb: 4.8

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